Oil On Canvas, Real Flavor of Old Masters

All Maerten van heemskerck 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
45449  
Art collections national the Haarlemer patrician Pieter Jan Foppeszoon with its family, Maerten van heemskerck
  		 Art collections national the Haarlemer patrician Pieter Jan Foppeszoon with its family   mk186 UM1530 Kassel
33540  
Fmily Protrait, Maerten van heemskerck
  		 Fmily Protrait   mk86 c.1530 Oil on wood 118x140cm Cassel,Staatliche Gemaldegalerie
32348  
Portrait of Anna Codde, Maerten van heemskerck
  		 Portrait of Anna Codde   1520 Oil on canvas
32349  
Portrait of Pieter Bicker Gerritsz., Maerten van heemskerck
  		 Portrait of Pieter Bicker Gerritsz.   1520 Oil on canvas
26742  
Self-Portrait of the Painter with the Colosseum in the Background, Maerten van heemskerck
  		 Self-Portrait of the Painter with the Colosseum in the Background   1553 Oil on wood, 42.2x54cm Fitzwilliam Museum,Cambridge
92113  
The Erythraean Sibyl., Maerten van heemskerck
  		 The Erythraean Sibyl.   1564(1564) Medium oil on oak panel Dimensions 123.5 X 75.5 cm (48.6 X 29.7 in) cyf
39643  
Triumph of Bacchus, Maerten van heemskerck
  		 Triumph of Bacchus   mk150 c.1537/7 Oak 56.3x106.5cm
Maerten van heemskerck
Dutch Northern Renaissance Painter, 1498-1574 Dutch painter, draughtsman and print designer. He was among the second generation of Netherlandish artists to travel to Italy, where he was profoundly affected by the work of contemporary artists in Rome and by the examples of Classical sculpture to be seen in the city (see ROMANISM). On his return to the north, van Heemskerck had a long and successful career. His extensive oeuvre (over 100 paintings) comprises large altarpieces, portraits and smaller works (with both religious and mythological subjects). He also produced a vast number of drawings for prints. He helped spread the influence of Michelangelo and Giulio Romano in the northern Netherlands, through his strong, monumental style, with much emphasis on anatomical detail. He was thus an important figure in the dissemination of late Mannerism in northern Europe



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